The search for an input-coding scheme: transposed-letter priming in Arabic.

Psychonomic Bulletin and Review, in press The search of an input coding scheme: Transposed-letter priming in Arabic

Extending models of visual-word recognition to semicursive scripts: Evidence from masked priming in Uyghur.

One basic feature of the Arabic script is its semicursive style: some letters are connected to the next, but others are not, as in the Uyghur word [see text]/ya xʃi/ ("good"). None of the current orthographic coding schemes in models of visual-word recognition, which were created for the Roman script, assign a differential role to the coding of within letter "chunks" and between letter "chunks"...

Does letter position coding depend on consonant/vowel status? Evidence with the masked priming technique.

Recently, a number of input coding schemes (e.g., SOLAR model, SERIOL model, open-bigram model, overlap model) have been proposed that capture the transposed-letter priming effect (i.e., faster response times for jugde-JUDGE than for jupte-JUDGE). In their current version, these coding schemes do not assume any processing differences between vowels and consonants. However, in a lexical decision...

Experimental Psychology, in press Does kaniso activate CASINO? Input coding schemes and phonology in visual-word recognition

Most recent input coding schemes in visual-word recognition assume that letter position coding is orthographic rather than phonological in nature (e.g., SOLAR, open-bigram, SERIOL, and overlap). This assumption has been drawn –in part– by the fact that the transposed-letter effect (e.g., caniso activates CASINO) seems to be (mostly) insensitive to phonological manipulations (e.g., Perea & Carre...

Does Kaniso activate CASINO?: input coding schemes and phonology in visual-word recognition.

Most recent input coding schemes in visual-word recognition assume that letter position coding is orthographic rather than phonological in nature (e.g., SOLAR, open-bigram, SERIOL, and overlap). This assumption has been drawn - in part - by the fact that the transposed-letter effect (e.g., caniso activates CASINO) seems to be (mostly) insensitive to phonological manipulations (e.g., Perea & Car...